
Shot with Canon EOS-M
This is a reference. This is the scene shot with a Canon EOS-M. We want to convert the negative so that it looks like this.
The rest of the images are the results of attempting to convert a frame of Fuji 200 negative that was "camera scanned" with a Canon 60D + Canon 60mm macro lens.
The RAW file was loaded into each converter and a (supposed) linear 16 TIFF file was exported from each converter. After which, the following procedure was used to convert each version of the linear file. Photoshop CS6 was used.
At this point the conversions weren't perfect. I normally would go back into curves and tweak of the R, G, and B channels. But for this test, I stopped after doing the above three steps. Because they are mechanical and do not involve any fine judgement.
Some linear files converted better than others.

DPP white balanced

Converted

DPP white balanced and the RGB histogram stretched
with the "Tone curve adjustment"

Converted

DPP No white balance (Real orange color)

Converted

DPP No white balance (Real orange color)
and the RGB histogram stretched
with the "Tone curve adjustment

Converted

DCRAW -4 -T -o 4 %FILE%

Converted
DCRAW -4 -T -o 4 %FILE%
-4 Linear 16-bit, same as "-6 -W -g 1 1"
-6 Write 16 bit instead of 8 bit
-W Don't automatically stretch the image
-g 1 1 Set custom gamma curve.
-T Write TIFF instead of PPM
-o 4 Set output colorspace to ProPhoto
%FILE% is the RAW file

ACR with R, G, and B histograms filled
in ACR's 'Point Tone Curve'

Converted
ACR apparently did the gamma correction, because I didn't need to do step 3. "Convert the gamma with Curves"

RawDigger exported TIFF with
'3 channel (RGB output)' and
'Autoscale to use full 16 bit range'
checked

Converted
Green is high compared to all the other files. (Because there are two green channels in Bayer RAW files?)

RawDigger exported TIFF with
'3 channel (RGB output)'
checked

Converted
The histograms ave very tiny and were difficult to work with in Levels. So not surprised at the uninspirational color.

RawDigger exported TIFF with
'Autoscale to use full 16 bit range'
checked

RawDigger exported TIFF with
'Autoscale to use full 16 bit range'
not checked
These come into Photoshop as CMYK, apparently on the assumption that if there are four channels (R, G, B, G) then it must be CMYK. No particular good came from trying to convert these so I didn't show any conversions. Note that they come into Photoshop already inverted--I didn't invert them.
Conclusion: For this particular test "ACR with R, G, and B histograms filled in ACR's 'Point Tone Curve" had the best conversion. Followed by "DPP white balanced and the RGB histogram stretched with the 'Tone curve adjustment'" A look at the RGB curves as they came into PhotoShop should tell you why.
Actual Canon 60D Raw file of the camera scanned negative so you can practice on it. About 38 megs.
Questions? Write to camerascanning@frogymandias.org